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Copper in the Arts

Issue #51: July '11 - Cont'd

Mapping Out a Career: The Copper Maps of Copper Leaf Studios

By Michael Cervin

copper map Copper Map, by Copperleaf Studios

Photograph courtesy of Chris Zielski
Working out of her Cleveland, Ohio studio, Chris Zielski has a map in front of her, as if she’s plotting some grand course; in a sense she is. In addition to other artistic endeavors, she makes custom copper maps. Zielski received her BS and MA degrees in Art Education from Case Western Reserve University in Cleveland, then taught art for eight years until 2010, finally deciding to commit full-time as an artist.

“Once you start to produce a lot of work and generate ideas, the more you immerse yourself in it, the more you get a finished product,” she says of finding inspiration by keeping busy. She started doing copper maps when a local non-profit, the Community Partnership for Arts and Culture, held a symposium to explore live/work housing for local artists. They commissioned her to create something inspired by the Ohio area, something the various speakers could take with them. She created a large copper map consisting of 20 separate pieces of the Great Lakes region. The individual pieces were then broken out and given out as 20 different gifts. That started her thinking about a sense of place and how maps provide connection to people.

 “Copper is the 7th wedding anniversary so people buy a map related to where they got married, or something that is marking a specific event,” she says. And her copper maps are selling to buyers across the globe.

West Coast copper map West Coast copper map, by Copperleaf Studios

Photograph courtesy of Chris Zielski
“I treat my copper maps more like a painting,” she admits. She uses wood as a substrate then applies 18 gauge copper sheet over it; utilizing a heavy-duty glue to affix the copper to the wood. She compares her copper maps to her textile and collage work, both of which she has used in the past. “There are geometric undertones with organic sensibilities. Copper fits that need, it has a clean, crisp look to it and I ended up falling in love with it,” she admits. She etches the copper creating texture by soaking the cut copper pieces in a light acid bath for three to four hours. And Zielski creates her own patinas, usually heat- based ones, and in fact she utilizes her gas stove rather than an acetylene torch.

“I like it better, it’s a lower temperature and I can control the colors better,” she says. “The warm copper tones have just a little bit of extra color when I use slow controlled, low temperatures.” She then uses either lacquer or an enamel coating to finish her pieces. 

“There is a huge demand for art that represents our city,” she says. To that end she has been working on what she calls her Cleveland Series, skylines, art deco structures and other notable and emblematic images from the region. “People just love the look of copper. It’s got something deeper than a painting,” she muses. She is seeing a shift towards two dimensional work; art which has depth to it with more layering as in collage or metal work. 

Her permanent Ohio collections include pieces in the national headquarters of both NextHome Realty, and Dollar Bank. Her copper work can also be seen at Juma Gallery in Cleveland as well regional arts shows.

Resources:

Copper Leaf Studios, Cleveland, OH, (216) 212-7228
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Jan Rosetta:  Capturing the Natural Beauty of Wildlife

By Nancy Ballou

Lynx Lynx at Laurel Elementary School of Art and Technology in Fort Collins, CO. Installed February 2010.

Photograph courtesy of Jan Rosetta
As a child, Jan Rosetta enjoyed carving animal figures out of soap. However, formal training at the Art Center College of Design in Los Angeles led her to 20 years of hand lettering logos and trademarks as a commercial graphic artist. During this time she only made a few three-dimensional clay busts, but, when a painter friend saw one, they decided to sculpt and paint each other for fun. She tried to get the clay bust of him bronzed at a local community college's foundry, but then decided to just sign up for a casting class and learn to do it herself. 

"We did every step of the casting process ourselves for a one-off casting and, when I pressed the small portrait head of my friend up against the polishing wheel and that sensuous golden bronze glow appeared over the surfaces of my creation, I simply fell in love with the medium,” she recalls. “I was hooked!"

Now a full-time sculptor, Rosetta recently spent two weeks on her fourth safari in Africa where she was able to get up close and personal with many of the powerful, noble wild felines that she especially loves. Her clay sculptures express this beauty and grace in animal form and present stylized renditions of spirit, pose and anatomy. She calls this "interpretive realism."

"Sculpture designs first take shape in my imagination based on what I know and feel about the animal,” she says. “My initial physical rendering is a small, rough 3-D clay "sketch" to establish movement and proportions. This small study allows me to make changes quickly and easily. It establishes the form enough to show me what armature I will need for a larger rendition. I use "classic" dark brown clay with hard consistency for both sketches and final clay sculptures because it doesn't sag and holds my crisp edges and subtle smooth shapes so well.” 

Running Cheeta Running Cheetah, bronze sculpture by Jan Rosetta

Photograph by Nadia Borowski Scott
"Once my clay original is completed, I leave the rest of the casting processes to the very skilled professionals in the foundries and the independent contractors here in Loveland, though I do check the chased wax and metal before sending them on for the final steps. I create the ever-important patina with Pat Kipper, a master of patinas with whom I have worked for almost 20 years, to complete my vision for the piece," she concludes.

Her sculptures vary from miniature to monumental and even include masks. Though most of her creations are felines, she does do other animals. Her heron fountain makes a beautiful addition to a garden or yard. She does public and private commissions and has won numerous awards.

Rosetta is a fellow and former board member of the National Sculpture Society, and a current members of the Northwest Rendezvous Group. She currently has a show at the Rockwell Museum of Western Art in Corning, New York's, and upcoming exhibits at the InSight Gallery in Fredericksburg, TX and at Dennos Museum Center in Traverse City, MI. 

Resources:

Rosetta, 405 8th St. S.E. #15, Loveland, CO, (970) 667-6265
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Marilyn Rodriguez: The Midas Touch in Bronze

By Ashley Morris

Marilyn Rodriguez in her studio Marilyn Rodriguez in her studio

Photograph courtesy of Mariyln Rodriguez
Even as a young artist, representational artist Marilyn Rodriguez was inspired by true life form and the human figure.

“Ever since I was a little girl, I was drawing people, but I was never satisfied with just a canvas and I wasn’t sure why,” says Rodriguez.

After college graduation in 1981, she purchased a one-way ticket to Europe and hopped from one museum to the next, becoming immersed in the fine art sculpture section of each.

“I realized at that point, that’s what I wanted to do,” she says.

But Rodriguez’s artistic hands would be forced to remain idle. She instead went into real estate as a broker, a real moneymaker for her, in San Francisco. “But I was unhappy – and didn’t want to look back at 90 and realize I was always unhappy,” she says. “No one encouraged me to be a fine artist while growing up. My mom was an English teacher and my father was an attorney.”

So in the early 1990s, Rodriguez returned to school for art, training extensively for five years under master sculptor Harriet Moore.  “No one taught classical sculpture with life models like Harriet did, and that’s what I was passionate about,” she says.

And as she was perfecting her passion, she also discovered a hidden talent for teaching. “While I was studying with Harriet, I started teaching others and it just came naturally,” she says. “Fellow students would encourage me to, teach, saying, ‘You seem to love sharing this with others.’”

Dreaming Artist Dreaming Artist, bronze sculpture

Photograph courtesy of Mariyln Rodriguez
Today, according to Rodriguez, she is the only private teacher of classical human figure sculpture, using professional models, in the San Francisco area. Since 1996, she has taught classes in sculpture, and her student’s work is cast in bronze at the Artwork Foundry in Berkeley.

Rodriguez is renowned for her bronze sculptures that fluidly capture the human figure and animals through her signature depictions of movement, energy, and elegance. Her equine sculpture limited editions (usually only sculpted nine at a time) have been nationally recognized. She keeps busy working as Metamorphosis Landscape Design’s main outdoors fountain sculptor, working with local and internationally known interior designers and working as curator of the fine art exhibits of the annual Home and Art Show in the San Francisco’s Bay Area.

Rodriguez also hosts national fine art sculpture workshops at the San Francisco Legion of Honor Museum, including weekend workshops on the human hand. “How an artist renders the hand is a telltale sign of what kind of artist he or she is,” says Rodriguez. “There are so many bone landmarks.”

Rodriguez, who keeps busy on her own commission work, is also teaching students and interested, aspiring artists through her new book, due to be released in a few months, The Human Skeletal System: From an Artist’s Perspective.

Resources:

Marilyn Rodriguez, MIR Studio, San Francisco, CA California, (415) 948-3099
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Copper in the Arts: EVENTS

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Copper in the Arts: NEWS

“Copper” Mike Cole’s Motorcycle Art on View in Bespoke - July 10, 2011

Copper Cycle Copper embellished motorbike

Photograph courtesy of P.J.S. Exhibitions
Artist, metallurgist, and fabricator Michael Cole has his much-admired, one-of-a-kind motorcycles on display in the exhibition Bespoke: Works by “Copper” Mike Cole, showing at P.J.S. Exhibitions gallery in New York City, through July 29.

Seeing the fine finishes such as hand-hammered copper, platinum leaf, and blown glass that cover Cole’s custom, luxury, high-performing motorcycles has a profound effect on viewers, including Lady Gaga. Gaga and her camp requested that Cole’s bike, Precious Metal (covered in platinum leaf, 14 karat gold, and his trademark copper,) accompany her on stage for the release of her new album, “Born This Way.”

“His bikes are pieces of art,” says P.J.S. owner Patrick Sullivan. “You discover new, exquisite details, finishes, and accents every time you walk around them. The rims are wrapped in leather! No one has ever wrapped rims in leather.” Nor has anyone ever gold leafed a motorcycle frame.

Michael Cole’s bikes have been featured in exhibitions in France and Monte Carlo, as well as in the windows of Atrium in Miami during Art Basel and The House of Savoia in New York. An icon of luxury craftsmanship, Cole was recently the spotlight on an episode of The Discovery Channel’s Two Wheel Thunder. The distinctive bobbers have also received honors at all major US motorcycle shows. They are defined as emblems of American style in the U.S. and in Europe.

Collectors have caught on to the talent that motorcycle aficionados have known about for years. “‘Copper Mike’ brings an artisanal quality to each of his one-off creations, which are finally getting the gallery backdrop they deserve,” says Ross Pantano, owner of Sin vitality drink and an original motorbike by Cole. “I knew I had the right builder who would create a beautiful, timeless, and functional work of art.”

In 2009, Renegade Magazine said, “Cole’s attention to detail is unlike anything else in contemporary motorcycle design.” 

With a father who worked in Manhattan’s garment district, Cole was encouraged to study pattern making at the Fashion Institute of Technology. Soon after, he was building showcases and displays for every high-end retailer, including Georgio Armani, Louis Vuitton, Stella McCartney, Carlos Mieli, Elizabeth Arden, and Estee Lauder. It was with these companies that Cole began to experiment with platinum and gold leaf and define a style that bridged vintage, contemporary, and handmade design.

Resources:

P.J.S. Exhibitions, 238 W. 14th St., New York, NY, (212) 242-2427
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